Tom Volf's MARIA BY CALLAS is the first film to tell the life story of the legendary Greek/American opera singer completely in her own words. Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs-nearly all of which have never been shown to the public.
Judith Ralitzer is a famous crime writer. We first see her at police headquarters in Paris being quizzed about her possible connection to a notorious serial killer known as The Magician.
Exiled of her country since the murder of her husband ten years ago, Judith lives in Marseille with her three children. After having refused during years to see her family again and despite her fears and her secrets, Judith lets herself bend by her children’s desire and accepts the invitation at her cousin’s wedding.
Bernard Coudray is a happily married man living in the village of Grenoble. His life is knocked askew when Philippe and Mathilde Bauchard move in next door, and Mathilde proves to be Bernard's long-ago lover. The couple slides into an affair, as apparently their previous relationship ended without a firm resolution.
A young woman gives up her bright future as a cellist for the love of a man. A man who has a contract to uphold and no time for love... We each love in our own way and in our own time. France / Portugal 2013
Jacques Massoulier is murdered while hunting at the same place as Julien Vercel, an estate agent who knew him and whose fingerprints are found on Massoulier's car. As the police discover that Marie-Christine Vercel, Julien's wife, was Massoulier's mistress, Julien is the prime suspect.
In this sophisticated French drama, a woman in her 60s falls for a much younger man, her computer teacher at the local seniors' club. As she finds herself courting danger - taking her young lover to places they could easily be discovered by her husband - she must decide if her retirement will mark the end for her marriage, or a new beginning.
The film "Rasputin" chronicles the last two years of Rasputin's controversial life from 1914-1916, focusing on his close relationship with Tsar Nicholas II and his wife Alexandra, when he won the royal couple's confidences by treating their haemophiliac son Alexei.
François Truffaut kept everything. He wanted to preserve his tracks.Anne Andreu sets off on these tracks in order to relate them to the director’s favourite themes, those that appear in film after film.
